Turopolje Museum
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ETHNOLOGY
The Velika Gorica region, located
on the south - east of Zagreb, used to be a part of the
Panonnian plain. The region is surrounded by the two
rivers: Sava and Kupa. It occupies a part of Posavina,
fructiferous Turopolje plain, Vukomeričke gorice and a part of
Pokuplje. The south - eastern part of Turopolje used to be covered with the infinite oak
- tree forests which stretched from Kurilovec village and
Pleso, all the way to Turopoljski lug (the Turopolje grove). Vukomeričke gorice were covered
with beech and birch - tree forests. The maize and other
cereals were mostly grown in the plain, grapes in
Vukomeričke gorice, flax was grown in Posavina and hemp
in Turopolje. Peasants used to grow their own fruits
and vegetables. They occupied themselves also with
apiculture and fishing, but the utmost care was taken of
their famous pigs, bred in spacious forests of Turopoljski
lug. All the clothes a family could need were made
out of flax and hemp, whose procession (done exclusively
by women) was very developed in the region as a part of
the folk handicrafts. Turopolje's weavers used to weave very dense,
thick, red linen, while the female - weavers fabric šarina
was somewhat thinner with wool or red lettering
interwoven. In the beginning, the linen was woven only
out of home - made yarn. Later on, the other types of
yarn such as ready - made cotton yarn, ježek yarn,
končec yarn and tumbačno yarn
also came into use. By manufacturing linen for daily needs of
her family, adroit female - weaver was attaining envious
skills which she could hand down to the next generation.
The motifs embroidered by female - weavers were not
peculiar just because of their ornamental subjects and
use of the local colours, but because they were closely
linked with the rural life, believes, prophecy and the
whole national spirit.
In the
beginning motifs were geometrical and minute, but they
were gradually substituted for stylized, much larger
floral ones (a floral nosegay that ritmically repeated).
Female - weavers were either doing it in a loom or by
hands - interweaving silk, thread, flex or wool. Motif
itself was very colourful. It was usually red, sometimes
black, green, yellow, blue and white, but also pink or
purple. Colours had symbolic, magical significance.
Motifs signified purpose, occasion, age and financial
status of person wearing particular garment. Textile goods with no adornment
were called prostina. Elder women - during
mourning - wore garments with white decoration, while red
colour was used especially for young people's clothes.
Apart from the purposefulness, those garments had also
the decorative role.
Rural
population in this region wore clothes very similar to
those worn in south - western part of Panonnian plain.
Their main characteristics were that they were made out
of considerable lenght of linen (processed in a loom) by
putting together rectangular pieces and gathering them
into folds.
Women's
garbs differed depending on the material and decoration
used. Every district - "fara" -
had its own peculiarities, but it is hardly possible to
put a finger on it. Garbs worn in Pokuplje and
Vukomeričke gorice were usually decorated with white
embroidery, Posavina's ones were made out of flax linen
and decorated with multicoloured embroidery, either by
picking up or interweaving. Turopolje's garbs were
mostly made out of hemp linen and had their motifs
interwoven (thick red lettering, coloured thread, white
cotton...).
Components of women's garb:
-
rubača - skirt
-
oplečje - wide sleeved shirt
-
švabica - tight sleeved shirt
-
fertun, zaslen, zastor - apron
Rubača
- in the beginning very long skirt (down to the
ankle), but later on much shorter, made out of four to
five halves of linen. The frontal half was smooth, while
three or four rear parts were gathered into folds. The
waist halves were gathered on a thread and held by ošvica
(belt). Such skirts were called rubače s
pasa or rubače na pintu. Their
motifs were either interwoven or sown on the rear halves,
above the selvage. There was also a decoration called
tvezovi (vertical lacy stripes on sutures of halves).
Some women wore rubače s kiklenkom (skirt
and waistcoat put in one piece). Those rubače were
white, with either no decoration at all or decorated with
wide stripes made by red lettering interwoven on the rear
halves. They were called pisanke. During
the mourning period, women wore modre pisanke,
skirts decorated by dark blue interwoven thread.
Oplećje
- wide sleeved shirt. Its folded sleeves were
gathered around the neck and wrists with a thin ribbon.
Those parts were often decorated in the same way as the
frontal part of the shirt.
Švabica
- tight sleeved shirt often worn instead of the oplećje,
with various decoration
Fertun,
zaslen, zastor - apron made up of two or three halves
of linen, edged by spitz - lace, widely folded at waist
and held by a thin belt. Its embroidery was usually sown
on or interwoven with silk, white cotton or thick red
lettering.
Woman's
hair was combed in two plaits, rarely in one, and had a
parting across the frontal part. In the beginning, girls
were mostly bare - headed with the ready - made
decorative ribbons tucked in their plaits, but later
on, they started wearing kerchiefs tied up at the back of
their necks. Covering head of the married woman was a
symbol of their status and an old custom, retained until
today. After the wedding, bride had her plaits folded
around kunč - puntek - tanjak and hair
covered with a cap called poculica (there
were two different types:  Posavina's poculica
and Turopolje's poculica)
or with halbica. They were covered with peča.
In Turopolje region women
use to wear kapica (cap) and poculica.
The kapica was covering most of the head
and it was decorated with pearls and thin lace. Turopoljska
poculica, small and round used to cover just the
plaited hair folded around fanjek - puntek.
Poculice had selvages made of thin
lace, some of them decorated with a piece of silk, wool
or thread. The latter ones had decorations made of pearls
and superficial flowers. Their selvage was made with a
piece of tulle. The poculica worn in
Posavina was much larger than one worn in Turopolje. It covered
the most of woman's head. Its selvage was very wide and
decorated with a floral adornment. In the other part of
Posavina, women wore halbica that covered
just the top of a head. It was decorated with ready -
made flowers, tulle or thin stripes. Peča was
a kerchief made out of home - made linen decorated by
embroidery with either lace or tassel selvage. Women used
to tie them up under the chin. On the special occasions,
brides wore peča over the poculica without
tying them up. They also wore special belts made for the
occasion. One type was made out of bright red cloth. The
other one was called fertušnica (very thin
woven belt).. Their jewelry - dunđ -
was kraluž (a necklace made up of red
corals and tiny coloured pearls), then škude and
petokrune (silver coins) strung either on a
metal necklace or a black velvet ribbon.
Men's clothes consisted of:
- rubača
(shirt)
- gaće
or pantalone (trousers)
Rubača
- long baggy shirt with a small collar, decorated
with white cotton on the frontal part. Sleeves were
folded around shoulders and tied up around wrists with a
ribbon.
Gaće
- baggy trousers with a strip or a rope instead of a
belt.
Pantalone
- trousers worn on special occasions; made out of
thicker hemp linen, folded around the waist with a linen
sash. The sides were decorated either with a white cotton
or a red lettering.
In the
summer men wore straw hats, and in winter wide - brimmed
felt ones or fur - caps. On special occasions, people of Turopolje wore brown
leather belts and carried čelene torbe
(bags) made out of red wool and brown leather with a long
stripe attached.
That
festal look was completed by wearing podgutnica (ready
- made coloured ribbon decorated with beads), the
forerunner of the tie.
Younger
children (those who were not going to school yet) wore pače
- pahače - canjak - kiklica - long straight
shirts made out of home - made and ready - made linen.
Turopolje and Posavina's
women wore lajbek (waistcoats), reklec,
cabajka, alica - halica,
(short jackets), kožun, hala and
čova (coats) decorated with ready - made
ribbons, fur, leather, etc. Men also wore hala and
čova in the winter and lajbek in
the summer.
Their
footwear were opanci remenaši (strapped
softsoled footwear), lačice (straps made
out of cloth for wrapping around legs) and boots. Women's
footwear were opanci na bezec with a small
heel and shoes called punčue.
Anything
needed done in the house was done by our folks...
Particular
feature of the region were its indefinite forests,
because not only the houses but also all the furniture
and tools were made out of wood. Different types of wood
were used according to their characteristics.
Some
of the wooden artifacts were decorated just with plane
decoration. The techniques for making the decorative
motifs were: shallow engraving - line cutting; deeper
engraving - scoring; hollowing; finishing with a red -
hot wire - burning; and finally colouring, although the
latter was rare in this region. The main decorative
motifs were: small points and triangles in a row,
straight and wavy lines, a cross in a circle or with
letters IHS, rectangles, squares, triangles, circles or
semi - circles, hearts, rosettes and cart wheels. Many of
these motifs were not just decorative but were also of
magical significance, but this has largely been
forgotten. It used to be customary for girls to be given
a distaff as a christening gift; they would play with
them as children and learn how to spin, and later begin
to work with yarn and weave things for the needs of their
families. The engraved symbols were to bring her good
luck and protection, and remained her of the person who
gave her the gift. These distaffs in many cases were
masterpieces of folk wood engraving. In addition to
woodwork, an important craft was that of weaving articles
from willow or hazel twigs or thin strips gained through
splitting. These articles came in a wide variety of
shapes according to their purpose, and they were used for
holding and carrying a wide range of articles, such as
items of fishing equipment. The unskillful hands using
primitive tools became increasingly skilled with time,
improving with practice at making artifacts. Wood became
a material for the artistic expression of the male part
of the population. Individuals gradually emerged from the
village communities who were more skillful and expressive
in making these wooden objects and who began to produce
objects for sale. Once entire villages specialized in
certain kinds of woodwork, such as foremen - carpenters
for building houses, for making looms, for making reeds
for looms, and so on; this marked the beginning of the
development of handicraft.
These
marvelous works of skilled carpenters...
Settlements
in Turopolje belonged to a
type of compact villages in elongated shape where the
houses were set on the main road. The villages of
Vukomeričke gorice and Pokuplje were thrown about_eng;
they consisted of hamlets on the hills, probably
developed out of built houses after the community
partition and named after a property owner's last name.
The houses in Posavina were located on the banks of the
Sava river. After the community partition, its members
built new houses bellow the main community building. New
streets were formed. In vicinity of the Sava river, the
houses were vertical to the main road and populated by
people with the same last name. Private plots and ground
- plans were mostly rectangular. The houses built within
the region were cottage - type houses which consisted
mostly of the ground and the first floor (hiže or
čardaci). Owing to steadiness of their oak
- tree skeleton, they lasted for a very long time. They
were built out of thick oak - tree beams or planks,
trimmed or filed, which were assembled horizontally one
above the other and connected at the corners in a horvatov
vuglić (Croatian corner) when the ends of the
beams were left untrimmed, or in a nemški vuglić
(German corner), when they were trimmed.
The
country houses of the wealthy were also built in this way
(the best preserved example is the Modić - Bedeković
house in Donja Lomnica) as were small village chapels
(the best preserved examples being in Velika Mlaka and
Lijevi Štefanki).
The
houses were built by village carpenters (paliri),
who were using the centuries - old folk experience,
knowledge and skill. Those carpenters were organized in
groups (partije). The most famous
carpenters were people from Kuče, Čička Poljana,
Bukevje and Lijevi Štefanki.
The house
entrance was on a side. Cottage - type houses had an
entrance called ganjek pristašek, while
the čardak had an outdoor staircase
leading to a porch. The pristašek and the
porch were usually decorated by engravings; some of the
houses even had their carpenter's name carved into. Special wooden
aids were made for the transport of wooden houses from
one place to another. Iža, the largest
room of the hiža was used as a living
room. There was a room at the back of the house also
called iža. The kitchen was called ižica.
In the čardak those rooms were located on
the first floor while the ground floor was used as a
storage for the crops. The furniture in those houses was
very high and lifted above the floor level. It was made
out of trimmed boards which were slotted into each other
and joined at the corners by an incision, strengthened by
wooden wedges as necessary. An important item in the
village house inventory was the chest. Chests were used
for storing linen, clothes, documents, jewelry and also
corn and maize. The size of the chest depended on its
use. Chests with arched lids were characteristic of this
region, and later chests of drawers with flat tops came
into use. The chests were not decorated, while the chests
of drawers had a decoration which once had been coloured.
The chest used to play an important part in the wedding
ceremony. Chests were used for bride's dowry
transportation to a new home.
In this
region, various folk customs were held and they were
often linked to the church holidays. Very well known one
was the Turopolje wedding with a
variety of customs: proposal, equipment transportation,
arrival of a bride to a new home. Those ceremonies were
held in winter, usually on fašenjsku Sunday
and lasted for three days. Very often few couples wed at
the same time. Ceremonies were usually continuing with
all sorts of carnival customs. After the Lent, the great
important had the Easter holidays with its dishes
blessings, colouring pisanica (eggs) and vuzelnik
bonfires on the Easter morning. Another famous
ceremony in Turopolje is Jurjevski
ophodi. On St. George's day, April 23rd, jurjaši
used to go around houses singing; in reward they
were offered food and beverages. That day was deemed the
beginning of economic year and on that day servants and
shepherds would negotiate business. Young people use to
jump over the bonfires and make cattle go over it.
Bonfires were also happening on St. John's day. On that
day, the ladarice (female folk singers)
would go around houses singing, same as jurjaši on St.
George's day. Another custom, the "horse wake"
was organized on St. Bartol's day, April 24th in Orle
village. Christmas and New Year were celebrated in a
customary way, and celebration used to begin on St.
Nicholas' day, December 6th. Almost all of the customs
had a purpose of chasing evil forces away and forcing
fertility. Many of those customs are not held any longer,
some of them changed and some of them are being renewed.
This is a memory of the
past, but also an obligation for the future.
Our E-mail: Turopolje Museum
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